Beatrice Marchi
Who crushed the Evil Turtle?
June 8 - July 29, 2022

Beatrice Marchi, Who crushed the Evil Turtle?, 2022, installation view, Galleria Federico Vavassori, Milan

Beatrice Marchi
La vendetta della Vacca Lussuriosa, 2022
Colored pencils, pigments, glue, acrylic under glass
Dimensions variable

Beatrice Marchi, Who crushed the Evil Turtle?, 2022, installation view, Galleria Federico Vavassori, Milan

Beatrice Marchi
Your reflection is my possession of your projection in my
direction, 2020
Digital animation, HD video, sound
2:47 min

Beatrice Marchi, Who crushed the Evil Turtle?, 2022, installation view, Galleria Federico Vavassori, Milan

Beatrice Marchi, Who crushed the Evil Turtle?, 2022, installation view, Galleria Federico Vavassori, Milan

Beatrice Marchi, Who crushed the Evil Turtle?, 2022, installation view, Galleria Federico Vavassori, Milan

Beatrice Marchi
Who crushed the Evil Turtle?, 2022
Oil, acrylic, glass, papier-mâché on wooden panels
99 x 161 x 4 cm

Beatrice Marchi
Who crushed the Evil Turtle?, 2022
Oil, acrylic, glass, papier-mâché on wooden panels
99 x 161 x 4 cm

Beatrice Marchi
Who crushed the Evil Turtle?, 2022
Oil, acrylic, glass, papier-mâché on wooden panels
99 x 161 x 4 cm (detail)

Beatrice Marchi, Who crushed the Evil Turtle?, 2022, installation view, Galleria Federico Vavassori, Milan

Beatrice Marchi, Who crushed the Evil Turtle?, 2022, installation view, Galleria Federico Vavassori, Milan

Beatrice Marchi, Who crushed the Evil Turtle?, 2022, installation view, Galleria Federico Vavassori, Milan

Beatrice Marchi
The Good/Bad Mafalda, 2022
Oil on wooden panels, acrylic under glass
45 x 131,5 x 4 cm

Beatrice Marchi
The Good/Bad Mafalda, 2022
Oil on wooden panels, acrylic under glass
45 x 131,5 x 4 cm

Beatrice Marchi
The Good/Bad Mafalda, 2022
Oil on wooden panels, acrylic under glass
45 x 131,5 x 4 cm (detail)

Beatrice Marchi
The Good/Bad Mafalda, 2022
Oil on wooden panels, acrylic under glass
45 x 131,5 x 4 cm (detail)

Beatrice Marchi
The Good/Bad Mafalda, 2022
Oil on wooden panels, acrylic under glass
45 x 131,5 x 4 cm (detail)

Beatrice Marchi, Who crushed the Evil Turtle?, 2022, installation view, Galleria Federico Vavassori, Milan

Beatrice Marchi
The Photographer's lens (Canon Eos 1000D), 2021
Camera, bracelets
68 x 15 x 18 cm

Beatrice Marchi, Who crushed the Evil Turtle?, 2022, installation view, Galleria Federico Vavassori, Milan

Beatrice Marchi
La vendetta della Vacca Lussuriosa, 2022
Colored pencils, pigments, glue, acrylic under glass
Dimensions variable

Beatrice Marchi, Who crushed the Evil Turtle?, 2022, installation view, Galleria Federico Vavassori, Milan

Beatrice Marchi, Who crushed the Evil Turtle?, 2022, installation view, Galleria Federico Vavassori, Milan

Beatrice Marchi
Chamomile tea handbag, 2022
Mixed media on chamomile tea bags
5 x 4,5 x 1 cm

Beatrice Marchi
Chamomile tea handbag, 2022
Mixed media on chamomile tea bags
Dimensions variable

Beatrice Marchi
Smashing the glass ceiling , 2022
Pigments and glue
75 x 65 x 4 cm

Beatrice Marchi
La Vacca Lussuriosa, 2022
Acrylic under glass
22 x 17 x 1,5 cm

BEATRICE MARCHI

WHO CRUSHED THE EVIL TURTLE?

JUNE 8 - JULY 29, 2022

The story goes like this. Two portraits were commissioned: a version that presented the person as good and another that presented them as bad, and when they died, the living decided which portrait to display. Which version befits the life lived — good or bad?!?!
Beatrice’s diptych The Good/Bad Mafalda echoes this story, compassionately depicting her family dog who died in old age. Two colourful portraits of Mafalda with droopy eyes, are flanked by panels of glass painted black that are easily mistaken for tablet screens. These can be folded over to show only one side of the painting, hiding the other. Another animal protagonist in the show, takes the form of a turtle. In one painting it appears to be clawing at a crack in a glass ceiling. In the other painting the turtle is itself breaking apart, held between two thumbs quite like a phone, painted on a surface that is modular quite like a turtleshell.... This character is the ,evil turtle’. And there is a real story which inspired it. She was found crushed, twice: once behind a door and once a dog broke her shell. She survived b u t she became very aggressive.
Obliquely, I’m reminded of a Youtube video titled Envy from Contra Points. The host of this channel, Natalie Wynn, refers to Friedrich Nietzsche’s Genealogy of Morals and the reversal of attributes once considered good and bad ((((Ancient athletic gods were worshiped as good while the weak and sick equaled bad; until slaves revolted and claimed that suffering equaled good and noble!)))). Wynn applies Nietzsche’s Genealogy of morals to social media and the court of public opinion, proposing that in many instances where public figures are taken down in
the guise of social Good, it is rather envy sublimated to contempt. I think Beatrice’s comically aggro turtle and the colourful pooches are similarly fallible creatures.
The wallpaintings titled «La vendetta della vacca lussuriosa» ( Revenge of the Lustful Cow) are inspired by a Giovanni Segantini landscape, especially by a story of how he painted it (...and I don’t mean which brushes he used). According to one account, he spent 6 months outdoors in the mountains, setting up the scene with cows and farmers. To fix the cows in position, he poked or cut the cow so that by licking the wound, the cow would hold the same pose. “I don’t know if this is true” Beatrice remarks about this story and that of the double portraits. But they’re wild tales and possibly quite a bit more.

Julia Dubsky

press-release