- 2024
-
2023
-
The 3-second rule of thumb
Curated by Kaspar Müller
December 15, 2023 - February 2, 2024 -
Daniele Milvio
Le Faremo Sapere.
September 21 - October 27, 2023 -
Charlemagne Palestine, C'ERAA UNAAA VOLTAAA CHARLEWORLDDD
June 6 - July 7, 2023 -
Bill Hayden
café Uranus
May 4 - 31, 2023 -
Gianni Piacentino
March 22 - April 23, 2023
-
Emil Michael Klein
January 17 - February 17, 2023
-
-
2022
-
Osama Al Rayyan
knights
November 9 - December 16, 2022 -
Rochelle Goldberg
Ghost Centrale
September 16 - October 21, 2022 -
Beatrice Marchi
Who crushed the Evil Turtle?
June 8 - July 29, 2022 -
Kaspar Müller
Maintenance 2
March 30 - May 13, 2022 -
6 Bagatelles
Osama Al Rayyan
Beatrice Marchi
Daniel Murnaghan
Matthew Pang
Giangiacomo Rossetti
Cinzia RuggeriFebruary 15 - March 18, 2022
-
- 2021
-
2020
-
PaJaMa (Paul Cadmus, Jared French, Margaret Hoening French)
September 25 - November 15, 2020
-
Jared Madere
In the back of the restaurant I made him kiss the ring: Haunted House in the Key of New Years
Paths to G-ddess~ Tiny Dick Timmy Ricochet~ Live from the Geomancer’s Clit Ring
You say one thing and everyone acts like you don’t mean the opposite of it at the same time tooFebruary 13 - March 27, 2020
-
-
2019
-
Renata Boero
Tempo e Tempi
November 15, 2019 - January 10, 2020 -
Doriana Chiarini
IN GRANDE! Scultura a dismisura
Curated by Mariuccia CasadioSeptember 18 - October 31, 2019
-
Cinzia Ruggeri
la règle du jeu?
June 25 - August 9, 2019 -
Genoveva Filipovic
May 14 - June 20, 2019 -
Emil Michael Klein
Curtains
March 15 - April 19, 2019 -
Daniel Murnaghan
February 8 - March 9, 2019
-
-
2018
-
Dario Guccio
Urnas plebeyas, túmulos reales
December 14, 2018 - January 25, 2019 -
Michael Pollard, Eric Schmid
Life is good
October 26 - November 24, 2018 -
Daniele Milvio
A Milano non si usa
September 14 - October 12, 2018 -
Tra l'inquietudine e il martello
July 16 - August 11, 2018 -
Rochelle Goldberg
1000 "emotions"
May 25 - June 30, 2018 -
Green Tea Gallery at Federico Vavassori
Amore Atomico di Amore di Lava
Curated by United BrothersApril 18 - May 19, 2018
-
Bill Hayden and Greg Parma Smith
Legend of Festival and Enclosure
March 16 - April 15, 2018 -
Cinzia Ruggeri
Umbratile con Brio
Curated by Mariuccia Casadio
February 9 - March 10, 2018
-
-
2017
-
Kaspar Müller
Maintenance
December 21, 2017 - January 27, 2018 -
Lisa Ponti
IL
FOGLIO
È UNA STANZA
CHIUSA
MA
MERAVIGLIOSASeptember 15 - October 14, 2017
-
Genoveva Filipovic & Daniel Murnaghan
May 25 - July 1, 2017 -
Rosa Aiello
27 seasons
March 29 - April 29, 2017 -
Giangiacomo Rossetti
KRIS
February 16 - March 18, 2017 -
Matthias Gabi
January 12 - February 11, 2017
-
-
2016
-
Matthew Watson
Surplus to Requirements
November 25 - December 23, 2016 -
Dario Guccio feat. Andrea Cleopatria
Referendum sull'aeroplano
October 25 - November 19, 2016 -
Erika Landström
CONTROL I'M HER
September 9 - October 8, 2016 -
Benjamin Horns
May 25 - June 25, 2016 -
Emil Michael Klein
April 06 - May 14, 2016
-
-
2015
-
Daniele Milvio
Cacafoco
November 9 – December 5, 2015 -
Matteo Callegari
September 17 – October 24, 2015 -
Rochelle Goldberg
The Cannibal Actif
June 5 – July 4, 2015 -
Mélanie Matranga / Oliver Payne
Organized by Fredi Fischli and Niels Olsen
April 10 – May 9, 2015 -
Dario Guccio
Hammer, Chewing Gum, Evasion, Destruction
January 16 – February 14, 2015
-
- 2014
- 2013
- 2012
- 2011
MAX HOOPER SCHNEIDER
SHOW No. 1
June 27 - July 27, 2013
In a casual conversation surrounding the favored topic of marine mammology Max once claimed to me ‘I could write a thousand page treatise on those soulless little black beady eyes’. Encountering Max’s drawings in person, especially if lucky enough to hold one in your hands, engenders a similar esteem for that which is somehow unapproachable, fundamentally alien. The unreality effect of the drawings derives not from the seemingly endless register of detail, but from their incessant dispersal and profusion of syntagmatic orders. Of course there are the countless joyous disturbances to color/line and positive/negative polarities; but also an interrogation of the very materiality of his chosen vernacular markers, whereby the fragility of the fibrous page is supplanted with an impenetrable warp and woof of programmatic drawing with its spontaneous fluid other. Like the multiple sculptural and architectonic extension of Max’s drawings, he is an embassador for the monist Spinozan generative principles from which he sprang forth.
Caleb Considine