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2024
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Giangiacomo Rossetti
Squeeze
November 29, 2024 - January 10, 2025 -
Ganz kleine
November 6 - November 22, 2024 -
Kaspar Müller
when we turn, we reappear
September 18 - October 18, 2024 -
Gianni Piacentino
June 25 - July 25, 2024 -
Vincent Murnaghan
Tuscan Landscape Painting
May 22 - June 18, 2024 -
claude rutault
March 12 - April 26, 2024
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2023
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The 3-second rule of thumb
Curated by Kaspar Müller
December 15, 2023 - February 2, 2024 -
Daniele Milvio
Le Faremo Sapere.
September 21 - October 27, 2023 -
Charlemagne Palestine, C'ERAA UNAAA VOLTAAA CHARLEWORLDDD
June 6 - July 7, 2023 -
Bill Hayden
café Uranus
May 4 - 31, 2023 -
Gianni Piacentino
March 22 - April 23, 2023
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Emil Michael Klein
January 17 - February 17, 2023
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2022
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Osama Al Rayyan
knights
November 9 - December 16, 2022 -
Rochelle Goldberg
Ghost Centrale
September 16 - October 21, 2022 -
Beatrice Marchi
Who crushed the Evil Turtle?
June 8 - July 29, 2022 -
Kaspar Müller
Maintenance 2
March 30 - May 13, 2022 -
6 Bagatelles
Osama Al Rayyan
Beatrice Marchi
Daniel Murnaghan
Matthew Pang
Giangiacomo Rossetti
Cinzia RuggeriFebruary 15 - March 18, 2022
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- 2021
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2020
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PaJaMa (Paul Cadmus, Jared French, Margaret Hoening French)
September 25 - November 15, 2020
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Jared Madere
In the back of the restaurant I made him kiss the ring: Haunted House in the Key of New Years
Paths to G-ddess~ Tiny Dick Timmy Ricochet~ Live from the Geomancer’s Clit Ring
You say one thing and everyone acts like you don’t mean the opposite of it at the same time tooFebruary 13 - March 27, 2020
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2019
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Renata Boero
Tempo e Tempi
November 15, 2019 - January 10, 2020 -
Doriana Chiarini
IN GRANDE! Scultura a dismisura
Curated by Mariuccia CasadioSeptember 18 - October 31, 2019
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Cinzia Ruggeri
la règle du jeu?
June 25 - August 9, 2019 -
Genoveva Filipovic
May 14 - June 20, 2019 -
Emil Michael Klein
Curtains
March 15 - April 19, 2019 -
Daniel Murnaghan
February 8 - March 9, 2019
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2018
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Dario Guccio
Urnas plebeyas, túmulos reales
December 14, 2018 - January 25, 2019 -
Michael Pollard, Eric Schmid
Life is good
October 26 - November 24, 2018 -
Daniele Milvio
A Milano non si usa
September 14 - October 12, 2018 -
Tra l'inquietudine e il martello
July 16 - August 11, 2018 -
Rochelle Goldberg
1000 "emotions"
May 25 - June 30, 2018 -
Green Tea Gallery at Federico Vavassori
Amore Atomico di Amore di Lava
Curated by United BrothersApril 18 - May 19, 2018
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Bill Hayden and Greg Parma Smith
Legend of Festival and Enclosure
March 16 - April 15, 2018 -
Cinzia Ruggeri
Umbratile con Brio
Curated by Mariuccia Casadio
February 9 - March 10, 2018
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2017
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Kaspar Müller
Maintenance
December 21, 2017 - January 27, 2018 -
Lisa Ponti
IL
FOGLIO
È UNA STANZA
CHIUSA
MA
MERAVIGLIOSASeptember 15 - October 14, 2017
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Genoveva Filipovic & Daniel Murnaghan
May 25 - July 1, 2017 -
Rosa Aiello
27 seasons
March 29 - April 29, 2017 -
Giangiacomo Rossetti
KRIS
February 16 - March 18, 2017 -
Matthias Gabi
January 12 - February 11, 2017
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2016
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Matthew Watson
Surplus to Requirements
November 25 - December 23, 2016 -
Dario Guccio feat. Andrea Cleopatria
Referendum sull'aeroplano
October 25 - November 19, 2016 -
Erika Landström
CONTROL I'M HER
September 9 - October 8, 2016 -
Benjamin Horns
May 25 - June 25, 2016 -
Emil Michael Klein
April 06 - May 14, 2016
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2015
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Daniele Milvio
Cacafoco
November 9 – December 5, 2015 -
Matteo Callegari
September 17 – October 24, 2015 -
Rochelle Goldberg
The Cannibal Actif
June 5 – July 4, 2015 -
Mélanie Matranga / Oliver Payne
Organized by Fredi Fischli and Niels Olsen
April 10 – May 9, 2015 -
Dario Guccio
Hammer, Chewing Gum, Evasion, Destruction
January 16 – February 14, 2015
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- 2014
- 2013
- 2012
- 2011
DARIO GUCCIO
URNAS PLEBEYAS, TÚMULOS REALES
December 14, 2018 - January 25, 2019
The fragments below are all that remain from the manuscript The History of the Seasons, found in the ashes of Alexandria, in the ruins of the Temple of Serapis.
[ ...]
An obscure puddle of ancient oil – of primordial and other beneficent promises – encircled by arabesque embroideries, unwillingly rises into a constituted body. Strictly has the pool remained motionless, since the days of Anapa, dense and silent, in eternal expectation of an astral signal.
Waiting for the daughter of gods from other galaxies, blind with love.
Waiting to return from hovel to sky, to revert from muddy pool or putrid pond back into endless sidereal space.
An ink-gate father, a mother of the black night.
Waiting for the radiant emptiness that distant prophecies foretold. It would manifest in December of that year in the form of a stellar body, luminous and pale like your cheeks in winter, ecstatic, seminal: a splendid comet.
The course of that asteroid through the black heavens, so far overhead, glimmering across the dim surface of the puddle, would excite the divine ascent.
Like a cloudy pupil abruptly granted sight,
a fiery torch sailing through the dead of night,
dropping pitch in steamy tar pools along its flight.
*[ ...]
Far away from the city, the snow-covered valley cradles the macabre choir:
Sister Moribund,
Toad-turner,
with hairless sigh:
We invoke
your dark heart.
The time has come,
for hunting season
At the center, an urn spits greenish vapors and acid fumes. The flaming embers blacken its glossy surface with smoke.
Walk again,
Creature of the wind
[ ...]
She wandered through the hills and their caves in the evenings at twilight, as the sun began to set, collecting fallen twigs, fossils of oyster shells, strands of lichen, feathers, and shards of rock sparkling with quartz. These treasures she piled into the folds of her skirts, later to be studied, shined, and delicately ordered into rows in the north-facing window, until the maid inevitably swept them up, not understanding the specimens held incredible powers.
The maid developed a strange twitch in her left eye, which worsened through the autumn.
The mother, too, discouraged the girl’s wanderlust, demanding that she turn out her pockets and relinquish all her riches, which the girl refused. And the mother became fearful as the winter nights edged sooner and sooner into the day.
The mother spoke about the cleverness of wolves, about steep chasms that gape suddenly in the dark, and roaming packs of wild boar with sharp fangs.
But the girl only laughed: she had never seen such things, and was sure to avoid the poisonous berries that grew along the ravines.
‘ Take care not to return after dark or you’ll fall behind, like Echo. ‘
Still she set off in the afternoon. Dry leaves and seed casings crunched underfoot. The girl traced the path that led through a rocky expanse to the highest point overlooking the valley, gathering obsidian shards and jagged stones as she went. The sky glowed sapphire over the distant peaks as she returned to her mother’s lament,
‘ Take care at dark. Remember Echo! ‘
Her skirts heavy, the girl paid the warning little heed, cherishing her minerals all the more.
[ ...]
At once she noticed the moon high over the valley and dropped the last, glassy green pebble deep into her pocket, where it rustled against the nest, dried thistle, and the soft woolen curls. A crow, wailing, alighted on the naked branch of a slender tree nearby.
‘ Remember Echo ! ‘
As the girl’s thoughts flew homeward, the long skirt of her starched dress petrified into rock, trapping her in the shadow of the mountain forever.
*
GGR & KR, Dec 2018