Erika Landström
CONTROL I'M HER
September 9 - October 8, 2016

THE MAN WHOSE NAME IS ALSO A SPACE, 2016, safety glass

THE MAN WHOSE NAME IS ALSO A SPACE, 2016, safety glass

THE MAN WHOSE NAME IS ALSO A SPACE, 2016, safety glass

THE MAN WHOSE NAME IS ALSO A SPACE, 2016, safety glass

THE MAN WHOSE NAME IS ALSO A SPACE, 2016, safety glass

Monkey 4, 2015, wallpaper sample (Procuratie e Scimmie, Fornasetti II, Cole & Son) and gesso on canvas, 63 x 50 cm
Holder 27,5/30, 2016, concrete, 30 x 50 x 5 cm

Monkey 4, 2015, wallpaper sample (Procuratie e Scimmie, Fornasetti II, Cole & Son) and gesso on canvas, 63 x 50 cm
Holder 27,5/30, 2016, concrete, 30 x 50 x 5 cm
(alternate view)

Erika Landström, CONTROL I'M HER, installation view, 2017, Galleria Federico Vavassori, Milan

Installation view, 2016, gesso and spray-paint on canvas, 63 x 50 cm
Holder 17,5 /20, 2016, concrete, 20 x 50 x 5 cm

Installation view, 2016, gesso and spray-paint on canvas, 63 x 50 cm
Holder 17,5 /20, 2016, concrete, 20 x 50 x 5 cm
(alternate view)

Street view, 2016, gesso and spray-paint on canvas, 63 x 50 cm
Holder 7,5 /10/1, 2016, concrete, 10 x 50 x 5 cm

Street view, 2016, gesso and spray-paint on canvas, 63 x 50 cm
Holder 7,5 /10/1, 2016, concrete, 10 x 50 x 5 cm
(alternate view)

Erika Landström, CONTROL I'M HER, installation view, 2017, Galleria Federico Vavassori, Milan

THE SERVE IN OBSERVE, 2016, gesso, graphite and acrylic on canvas, 150 x 120 cm

Erika Landström, CONTROL I'M HER, installation view, 2017, Galleria Federico Vavassori, Milan

Holder 2,5/5, 2016, concrete, 5 x 50 x 5 cm

Holder 2,5/5, 2016, concrete, 5 x 50 x 5 cm (alternate view)

ERIKA LANDSTRÖM

CONTROL I'M HER

September 9 - October 8, 2016

A quite large industrial extractor fan was used during the installation of this exhibition. Although not very economical in terms of running costs, the fan kept receipts, bills and take-away food containers from piling up. It also prevented dust from gathering on some sculptures and paintings. With an intake approximately the size of a doorway, the extractor was in operation over the majority of the installation period, turning the gallery into a giant hoover vacuuming itself from within. The gallery intern referred to the process of cleaning the enormous foam core filter as a Déjà vu.

press-relase